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Ich weiß nicht, warum dieses Lied mit einer Frau beginnt, die Deutsch spricht. This becomes a soothing soft keyboard song with the smallest hint of menace in it. An odd

Ich weiß nicht, warum dieses Lied mit einer Frau beginnt, die Deutsch spricht. This becomes a soothing soft keyboard song with the smallest hint of menace in it. An odd late night sound with a vocal that seems like it's trying not to be heard in another room. It very

I don't know why, but listening to this I found myself thinking of Walt Whitman and Wallace Stevens. Something about the intersection of the universal and timeless and the immediate.

I don't know why, but listening to this I found myself thinking of Walt Whitman and Wallace Stevens. Something about the intersection of the universal and timeless and the immediate. This is a cynical song about hope. About the wonderful things we wish for and don't get. About the darkness

Yes, this day doesn't exist this year, but this song does. Well, kind of. This is an unreleased song that exists largely in bootlegs. The particular version I heard was

Yes, this day doesn't exist this year, but this song does. Well, kind of. This is an unreleased song that exists largely in bootlegs. The particular version I heard was a 1999 bootleg from CBGBs, which displays probably more passion than skill. I've also linked a 2024 version. There's something

A burst of jangly energy here, covering a song that functions as an inverse love song. That feeling of having your day darken simply by someone's existence making itself known.

A burst of jangly energy here, covering a song that functions as an inverse love song. That feeling of having your day darken simply by someone's existence making itself known. I'm always fascinated by anti-romance in songs. The feeling of strong passion about someone, yearning even, but only negative passion.

The roll of this song is intense as it searches thought yearning and explores different concepts. This is an era of Mountain Goats songs that all feel like they take

The roll of this song is intense as it searches thought yearning and explores different concepts. This is an era of Mountain Goats songs that all feel like they take place at night in open places, and there's a certain mentality that the open creates in those places. During the

It takes a moment for the unstandard chords of this to settle, and the effect is interestingly unsettling and fits well with plaintive nostalgic lyrics about a love of the

It takes a moment for the unstandard chords of this to settle, and the effect is interestingly unsettling and fits well with plaintive nostalgic lyrics about a love of the past that clearly had doom in its core even if it had joy in the moment and regret in its

Sometimes a Mountain Goats song sounds like a letter from a lighthouse keeper in the middle of an ocean, recording the ways in which he spends his time and his

Sometimes a Mountain Goats song sounds like a letter from a lighthouse keeper in the middle of an ocean, recording the ways in which he spends his time and his sanity while waiting for relief and for someone to send his missives to. This is a song that can be

God, this is catchy. God this is catchy. A life and a travelogue in a song that lives in being close part harmony between a male and female voice. This

God, this is catchy. God this is catchy. A life and a travelogue in a song that lives in being close part harmony between a male and female voice. This is joyful and desperate and brimming over with love and need and no way back. I'm put in mind of

Back to the tape recorder, for this very claustrophobic track. Maybe it's just the headphones and the layers of sound but I felt like this song was coming at me

Back to the tape recorder, for this very claustrophobic track. Maybe it's just the headphones and the layers of sound but I felt like this song was coming at me from every side at once. The song itself is a rich chaos, double tracked vocals and dissonant memories. Blood and

And welcome back to folk territory. The guitar and vocals are soft and meditative storytelling, allowing the lyrics to perform a one-two punch of undermining and then reinforcing. Let's not

And welcome back to folk territory. The guitar and vocals are soft and meditative storytelling, allowing the lyrics to perform a one-two punch of undermining and then reinforcing. Let's not beat around the bush: this song is built around a pun. And as with the best pastiche is works largely

Folks, I don't want to freak you out, but I just heard an electric guitar. And multi-instrumentation. We're onto a new album here with new production standards. We are a

Folks, I don't want to freak you out, but I just heard an electric guitar. And multi-instrumentation. We're onto a new album here with new production standards. We are a long way from the rumble grumble of John's tape recorder and a lot closer to, well, indie music of 1995.

One of the profound joins of any era of the mountain Goats is the joyful song with the horrifying lyrics. On its surface, Against Agamemnon sounds like a joyful jangly

One of the profound joins of any era of the mountain Goats is the joyful song with the horrifying lyrics. On its surface, Against Agamemnon sounds like a joyful jangly pastoral, something with a countryside setting and abstract description. And then, as so often happens especially in early Mountain Goats,

A mainstay of all eras of the Mountain Goats is the song as a sketch. A small set of details spelling out something very specific, with the potential for universality

A mainstay of all eras of the Mountain Goats is the song as a sketch. A small set of details spelling out something very specific, with the potential for universality through the small details. Here, we're getting even more specific than usual and looking at a narrator, barely pictures, listening

This is an interesting time for production on Mountain Goats songs, as they move between solo and multi-instrumental and between tape recorder and studio. Sometimes this works very well, as

This is an interesting time for production on Mountain Goats songs, as they move between solo and multi-instrumental and between tape recorder and studio. Sometimes this works very well, as with Song For Dana Plato. Other times... OK, that feels unfair. I like this song quite a lot. There's something

A surprisingly full sound for this period, and a catching chorus at a point where John was quite chorus-averse. There's something nicely and deliberately unsettling in the bass progression that

A surprisingly full sound for this period, and a catching chorus at a point where John was quite chorus-averse. There's something nicely and deliberately unsettling in the bass progression that stops the song ever settling into a reassuring pattern, which works well with the subject matter. The catchy chorus of

There's always something pleasant about a recording that sounds like a party. One of the reasons why (and I'm sure we'll get to them eventually) the Jordan Lake Sessions are

There's always something pleasant about a recording that sounds like a party. One of the reasons why (and I'm sure we'll get to them eventually) the Jordan Lake Sessions are so beloved by Mountain Goats fans is that they sound like friends playing together. The same is true about this

Exceptionally simple riff at the core of this one, but the sound is irresistible. Heavy on the bass and moving at a soft and drowzy pace with beautifully droning violins

Exceptionally simple riff at the core of this one, but the sound is irresistible. Heavy on the bass and moving at a soft and drowzy pace with beautifully droning violins in the mix. There are basically two chords in this with a soft vocal over the top and it is

OK, so the story behind this one is absolutely adorable. While ultimately this was available on the rarities album Ghana, this was initially released as part of The Wedding Record,

OK, so the story behind this one is absolutely adorable. While ultimately this was available on the rarities album Ghana, this was initially released as part of The Wedding Record, a four track album that one of John's friends put out to announce his upcoming wedding. And, fittingly, it's a

Grumble of tape recorder, opening bright chord, historical lyrics, this is peak early Mountain Goats. John's love of history, especially of the small personal lives of people in remarkable historical

Grumble of tape recorder, opening bright chord, historical lyrics, this is peak early Mountain Goats. John's love of history, especially of the small personal lives of people in remarkable historical situations, is one of his most assured strengths. I've always had a love of the personal in history, the central

Another multi-instrumental track, which fills out the sound significantly. Having spent around six weeks in the world of early Mountain Goats there is something magical that I see happening when

Another multi-instrumental track, which fills out the sound significantly. Having spent around six weeks in the world of early Mountain Goats there is something magical that I see happening when John is working with other people and suddenly the dimensions of his sound spill out in all sorts of new